Is Gram Parsons Eligible? A Look Based on CMA’s Own Criteria

Gram Eligibility for CMHOFNomination Proposal to the CMA to Induct Gram Parsons Into the Country Music Hall of Fame

The following was written to CMA criteria and submitted as hard copy with List of Supporters to the CMA, 9/19/08, on the 35th anniversary of Gram’s death and is made available to them updated 24/7 online.

 Basic Standard A

Candidate basically is to be judged on the degree of his/her contribution to the advancement of Country Music and on the indelibility of his/her impact.

Ingram Cecil Parsons III (Gram Parsons) meets this

standard unquestionably, arguably advancing country music more than any

other individual or force within that past 40 some years. His indelible impact

can be seen and is seen in the broad scope of all types of country music today.

His contributions, from the International Submarine Band’s “Safe at Home”

(which many critics consider to be one of the great country albums of all time,

and is included in the Library of Congress collection as such),

his work with the Byrds during which he literally hijacked a rock band to

further his country vision with “Sweetheart of the Rodeo” (upon its release he

played the Grand Ole Opry, a milestone the Opry itself marks as being 33 in

their top 80 Opry Moments of All Time), through the groundbreaking “Gilded

Palace of Sin” and his two albums completed with his protégée Emmylou

Harris, “GP” and “Grievous Angel.” It should be noted that Ms. Harris herself

on numerous occasions credits Gram Parsons for her understanding of and

distinguished career in country music and her own well deserved induction into

the Country Music Hall of Fame over a dozen years ago. Please see the comments of the nearly 14,000 individuals so far comprising the List of Supporters (attached and at: for further substantiation of this observation.

Individual Candidacy Only

Individuals may be elected to the Hall of Fame. Companies, publications, radio stations and other groups many of which significantly foster Country Music are not eligible for Hall of Fame recognition.

Gram Parsons, although he worked with many distinguished musicians,

including those mentioned above, members of the Flying Burrito Brothers, and

Elvis Presley’s backup band, is presented here for individual consideration as a

country artist; moreover, it is his singular individuality upon which this

nomination is based.

Scope of Activity Flexible

Authority is vested in the Electors in identifying the scope of a candidate’s activity in Country Music. The individual may have excelled in a narrow, specific sphere . . . such as songwriting, publishing, musician, recording artist, etc. or may have been active in several areas. In any event, a candidate must have achieved definitive leadership in his/her own field of Country Music activity. However, it is definitely not mandatory to honor the leaders in every activity related to Country Music. A candidate truly must compete with all candidates in all fields, as well as with all candidates in his/her own field.

One cannot imagine a field of endeavor within country music within which any

individual can claim greater and broader excellence than that of Gram

Parsons, a scope which encompasses brilliant country songwriting, plaintive

and uniquely evocative voice, excellent musicianship on several instruments,

and as a leader, his artistic vision compelling others to help him achieve his

steadfast objective: to promote country music and bring it squarely into the

next century without turning his back on innovation in

the era in which he lived, which often was a divisive and turbulent time. He sought

with gentle kindness, good humor, wit and his art to allow those who would not

otherwise “see the light” to have it shine on them brightly.

Span of Influence

The time factor of a candidate’s impact on Country Music is completely flexible. It may cover an uninterrupted span of many years or it may cover two or more distinct and separated time cycles. Conceivably, even a candidate may earn Hall of Fame recognition by one transient act, momentary in time, providing the impact on Country Music is deemed significant enough. Longevity of involvement with Country Music, therefore, will not in itself warrant recognition in the Hall of Fame.

In addition to his own history-altering achievements on the field of country

music, Gram Parsons had a profound and now widely recognized influence on

others that continues to this day. More than any other artist of the late 60s and

early 70s, Gram brought a new audience to a deep, genuine, and

transformational appreciation of authentic country music. Ironically, his

direct influence has actually had as great a longevity, if not greater, than any

nominee considering by your distinguished board over the years. I know of no

one in the past 50 years whose influence has actually grown and continues to

grow to span the decades and to have as broad an impact on country music

than Gram Parsons.

Influence on Others

A most significant criterion in evaluating a candidate will be his/her inspirational effect on others . . . the degree to which he/she multiplies his influence through others to create impact on Country Music far beyond his/her own direct individual contribution.

Gram Parsons had an exponential influence on those of his time and those in

the 47 years that he’s been gone. The best testament to this are the comments

attached from all over the world, for indeed his influence was arguably more

global in spreading the gospel of genuine American country music throughout

the world than any other country artist in history (again, please reference the

List of Supporters and their countries of origin, also at

Quantity vs. Quality

A candidate’s ability to expand the popularity of Country Music is a quantitative virtue. The professionalism of his/her activity is a “qualitative” one. Both quantitative and qualitative criteria are to be considered equally and separately important; conceivably, one may be present without the other.

It is the opinion of this nominator that the Latin word versus should not be used

in the above criterion. Substitute “and.” The key words in this criterion are “a

candidate’s ability to expand the popularity of country music” as a quantitative

virtue. Many country stars come and go, some even selling millions of

records. But how many of them leave an indelible mark on the dispersion of

country music to new audiences and expand its reach to any great extent? One

who did and continues to is Gram Parsons. An excellent reference for this is

the List of Supporters with over 13,000 signers and their comments.

I was amazed as someone who loved Gram’s music back when he was with us that

so many, seemingly most, have discovered him recently

and express their reverence for his music and

wish to emphasize how it has influenced their own style of country. Then there

are the tribute songs written about him, said to total more than about any other

musician. And the number of books and movies about someone who died at 26 put

him in the same group as Anne Frank, King Tut, and Robert Johnson. While difficult

to quantify with any precision, the numbers of “units” sold since his death has

increased exponentially. There is little to add, except to say that any number

of expert lists, books and reviews put the five albums in particular listed in

the first criterion at the top of influential and both quantitative over the

years, and qualitative excellence far above most others.

Devotion to Others

Furthering Country Music by selfless devotion to the interests of others may enhance the candidacy of an individual, but it is not essential to winning. The activities of a candidate may be completely self devoted and still be considered significant enough to warrant recognition.

Perhaps the most striking example of Gram’s selfless devotion to others is a

letter he wrote from Harvard, one of many, to his little sister Avis, for whom he

felt responsible after the death of both parents due to alcoholism. Please

reference David Meyer’s biography (page 163) or other source for this letter,

which is as exquisite in its thought, feeling and artistry as any of his songs. All

who knew Gram knew of his personal devils (a major theme of country music),

but they also attest to his humanity and devotion to those he loved. Again, a

good source who has backed this up many times on the record is Ms. Emmylou

Harris, as well as the likes of Bonnie Bramlett (“Gram was also a catalyst among

fellow musicians. He spread the word. He was our buddy…”) and many, many others.

Professional Conduct and Image

A candidate is expected to have practiced the highest caliber of professional conduct in order to enhance the public image of both himself/herself and Country Music.

All of the foregoing attest to Mr. Parsons’ caliber of professional conduct. All

who knew him attest to the degree to which he had grown, both personally and

professionally, during the making of those brilliant final albums. His music

represents a desperate though controlled attempt to bridge the abyss that had

formed in the 60s and early 70s. He would preach the truth of country music to

anyone who would listen, and often did. He would walk into an otherwise

dangerous bar in the valley and win over the most hardcore of traditional

country fans. He proudly wore the same suits as Mr. Porter Wagoner, not

ironically, but out of a deep respect for the music he loved (indeed, he was one

of Mr. Nudie’s best friends). Had he lived, he would have continued to enhance

the public image of country music as many of his proclaimed followers have.

Personal Morals and Behavior

The selection process is not a judgment of personal morals and behavior, providing the latter do not negatively affect the professional conduct of the candidate and the public image of Country Music.

No one will ever know what definitively happened that night in November 1973 just as

no one will know every detail of New Year’s Day 1953. Gram Parsons lived in an

undeniably divisive time, a world between the worlds.

As has been stated, everyone knew Gram had his devils. As his beloved Louvin Brothers

said (and sometimes exemplified), “Satan Is Real.” But I am not going to simply write off this criterion by

pointing to an equally great country music legend who died a tragic young

death fighting his devils. Science has shown that addiction is also real,

and is caused by a defect in a gene. Both of Gram’s biological parents were

extreme addictive personalities, clearly demonstrating this genetic abnormality

(again, see Meyer’s biography and others). True, the era he had no choice but

to live in didn’t help, but to judge Mr. Gram Parsons negatively based on an

addictive behavior would not only rule out Hank, Sr., but also many other

country music notables by using prejudicial criteria clarified by modern

science. No, Gram Parsons believed wholeheartedly in his art, in country music, in

what William Faulkner called the only thing worth writing about: the human

heart in conflict with itself.


14 comments on “Is Gram Parsons Eligible? A Look Based on CMA’s Own Criteria

  1. Debbie Dreany says:

    Please consider Mr. Parsons for the Country Music Hall of Fame. His influence is undeniable. Dwight Yoakam, Sheryl Crow, Emmylou Harris, Wilco, The Eagles, Raul Malo, Rodney Crowell and many more recording artists would not be exactly who they are musically if it were not for the influence of Gram Parsons. There are countless people, layman and musician, who agree that it is time he get his due. He was a little Merle, a little Buck Owens, Louvin Brothers, Elvis, George Jones and his own original style all mixed together to make Cosmic American Music (Country Rock, Alt Rock, Americana music). He was not only ridiculed but risked physical harm for being himself and to bring the music he loved (country) mixed with rock and soul music to music fans who looked at “Country And Western” music (as they called it) as music for uneducated people – not so! I do not think that Country music would being enjoying the popularity it is today, with artists such as Garth Brooks, Alan Jackson, Brooks and Dunn and Trace Adkins – and many more, if it weren’t for Gram and the cross-culture in Country music that he started nearly 50 years ago.

  2. Jim Davis says:

    Gram is Great. He should definitely be in the Hall of Fame. Wish he was still here among us.

  3. Rob Pomeroy says:

    Gram opened the door for me. As teenager in the early 80s I had all the Byrds albums but I couldn’t understand and just plain hated the ‘country’ one. Country music was anathema to the post punk generation in the UK at that time. In my early twenties I revisited those albums and with the benefit of a little more maturity I found that ‘Sweetheart of the Rodeo’ was an album I couldn’t stop listening to. From there I moved on to Gram’s solo recordings and then to Emmylou Harris, Guy Clark, Townes Van Zandt and other contemporaries of Gram. As my love of country music deepened I discovered the Carter Family, Jimmie Rodgers, Hank Williams, Lefty Frizzell, George Jones, Bob Wills, The Louvin Brothers and countless others. If it wasn’t for Gram I would never have traveled from the UK to spend a week in Nashville, I would never have visited the Country Music Hall of Fame or have any idea what the Ryman auditorium was. Without Gram I would not have recordings in my collection by such early Nashville artists as Dr. Humphrey Bate and His Possum Hunters, Uncle Dave Macon or Sam McGee.

    These days there are country artists that I listen to more than Gram, but I can not think of a better ambassador to those of us raised on rock and pop. Gram’s music challenged my preconceptions and opened my ears to a world of music that would have otherwise passed me by.

  4. […] See here: Nomination Proposal to Induct Gram Parsons Into the Country Music Hall of Fame. Also, more discussion links on right of […]

  5. J. Burke says:

    Keith Richards stated in his book that without Gram Parsons there would not have been Waylon Jennings.

  6. John Hauge says:

    amen. nicely done. i hope he makes it. i love his music and i have since first hearing him long ago.

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  8. Graham Gibbs says:

    Absolutely, he should already have been inducted

  9. afonso says:

    Gram Parsons was an amazing composer. His musical union with Emmylou Harris was something divine. Could still be with us, but unfortunately gone too soon. Emmylou, a true angel, always raised high the name Gram. Emmylou is a true angel. In voice and in their attitudes.

  10. Wow, that’s what I was looking for, what a information! existing here at this blog,
    thanks admin of this website.

  11. Michael Latham says:

    This man’s impact on country music (and popular music) was immeasurable.

  12. Kenneth L Prestridge says:

    I think it is a grave injustice that Gram Parsons is not already a member of the Country Music Hall of Fame. His contributions to helping bring country music to new levels and new individuals as member of groups he helped found and play in is immeasurable. The Hall has the audacity to display one of his Nudie suits he wore on stage for performances, but refuses to make him a member. Come on people, this is a travesty that needs to be fixed.

  13. Kenneth, I always point out that there’s a huge difference (although they won’t tell you this) between the the Museum and the Hall (the official name is: Country Music Hall of Fame & Museum). The staff etc. at the Museum are in TOTAL agreement that Gram should be in the Hall. The Hall is pretty much under the control of the CMA, which, without a whole lot more pressure, will not induct Gram. They’ve now taken the inductee number way down; Gram has to be voted in the “Pioneer Class” it would seem at this time. Would be nice to have a “catch up” year, we’ll see going forward. It’s a fact that no other candidate has upwards of 14,000 names on a Petition to Induct, like we do with GP. Let’s just keep up the pressure, and more importantly perhaps, listen to his music and try to bring real country/cosmic back into the legit realm of music period. Thanks, Will James

  14. Joyce Meade says:

    He was a phnominal entertainer.

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